Ouroboros on The Aquarian Weekly

November 6, 2012

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Ouroboros on The Aquarian Weekly


Naked Truth: Ouroboros
www.theaquarian.com
If you take electric instruments, jazz instruments, rock guitar, and add in some ambient noises and strange programming, what do you get? Well, I can’t

Listen to what the clamour is about!

November 6, 2012

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Listen to what the clamour is about!

Naked Truth | Naked Truth Player
LORENZO FELICIATI started playing in Rome clubs around the age of twenty, privileging Rock-blues bands for his first "official" steps. This choice has indissolubly marked his formation, creating a strong" background that has contributed to the definition of his sound and style, with an approach that…

Ouroboros favourably reviewed on Classic Rock Presents Prog (PROG) – thanks go t…

November 6, 2012

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Ouroboros favourably reviewed on Classic Rock Presents Prog (PROG) – thanks go to Sid Smith


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Ouroboros by @[188707791175160:274:Naked Truth] very favourably reviewed on @[157808174258494:274:Classic Rock Presents Prog] (PROG). Thank you Sid Smith

Ouroboros reviewed on the New York Music Daily

November 5, 2012

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Ouroboros reviewed on the New York Music Daily


Lush, Trippy, Hard-Hitting Atmospherics from Naked Truth
newyorkmusicdaily.wordpress.com
Naked Truth’s new album Ouroboros is one of those deliciously uncategorizable ones. Is it art-rock? Some of it, definitely. Is it film music? Could be. Jazz? Sure, why not? Psychedelia? Hell …

Ouroboros well received on Rumore

November 5, 2012

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Ouroboros well received on Rumore


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Ouroboros by @[188707791175160:274:Naked Truth] well received by @[276939816204:274:Rumore] – we thank the reviewer

Ouroboros well received by ROCKERILLA

November 5, 2012

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Ouroboros well received by ROCKERILLA


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Ouroboros on @[97386151265:274:ROCKERILLA] – also well received. We thank the reviewer

BIOS: GRAHAM HAYNES Regarded as an innovator on cornet and flugelhorn, an extra…

October 29, 2012

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BIOS: GRAHAM HAYNES

Regarded as an innovator on cornet and flugelhorn, an extraordinary composer, and an emerging force in contemporary electronic music and world music, Graham Haynes has redefined and deconstructed that genre we still call jazz. While his main instrument is the cornet, he is by no means making jazz music these days. Haynes uses technology to create imaginative, subtle sonic environments. Even amidst electronic processing, his horn stands out, providing a level of expression that humanizes and
elevates the synthetic sounds.

The son of legendary jazz drummer Roy Haynes, Graham was born in 1960 and raised in Hollis, Queens, where he was surrounded by innovators (his neighbors included Roy Eldridge, Milt Jackson, and Jaki Byard). While studying composition, harmony and theory at Queens College, Graham developed an interest in classical and electronic music (Robert Moog was professor of electronic music at that time). In 1979, he met alto saxophonist Steve Coleman. They formed a band called Five Elements, which launched the M-Base collective, an influential group of New York improvisers. Haynes spent much of the 1980s collaborating with Coleman and Cassandra Wilson.In the late 1980s he formed his own ensemble, Graham Haynes and No Image, and recorded his first album as a leader, "What Time it Be?" During the late 1980..s, Haynes immersed himself in a wide range of African, Arabic, and South Asian music which prompted his move to Paris in 1990.

There he recorded Nocturne Parisian and "The Griots Footsteps", for French PolyGram Records. Haynes spent the next three years studying and performing with masters of African and Asian music, occasionally returning to the U.S. to work with artists such as Ed Blackwell, George Russell, Uri Caine, David Murray and many others. In 1993, Haynes moved back to New York City, where he began investigating sampling and hip hop music. The album "Transition" came out of this investigation. His next project, "Tones for the Twenty-First Century", combined sound effects, textures, drones, and samples, layered over Haynes' electronically manipulated horn. Graham was extensively working with DJs within drum-n-bass scene in NYC, UK and Europe throughout the 90's. In 2000, he recorded the critically acclaimed "BPM" (Knitting Factory Records), a fusion of drum-n-bass programming and operatic music, specifically the late music of Richard Wagner. Haynes uses technology to create imaginative and even subtle sonic environments, and, of course, he is an evocative player on his primary instrument, the good old-fashioned cornet. "Even amidst all the electronic processing, his horn stands out, providing a level of expression that humanizes and elevates BPM's synthetic sounds." (Dave Lynch, All Music Guide).

Ouroboros 6-panel CD Digipack is now Available for Pre-Order from the RareNoiseS…

October 29, 2012

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Ouroboros 6-panel CD Digipack is now Available for Pre-Order from the RareNoiseStore.

Shipments start Thursday 1st November.

Digital (.flac/.mp3) available immediately.


Naked Truth’s Ouroboros available for Pre-Order!
networkedblogs.com
Ouroboros, the second release by Naked Truth on RareNoiseRecords is now available for Pre-Order (6 Panel CD Digipack) and immediate download (FLAC/MP3) from the RareNoiseStore. Shipments of CD Digipack will start Thursday November 1st. Ouroboros is already available from most digital stores / stre

For a week only – streaming of Ouroboros from Allaboutjazz Italia

October 22, 2012

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For a week only – streaming of Ouroboros from Allaboutjazz Italia


Anteprima esclusiva: Naked Truth – Il nuovo CD "Ouroboros"
italia.allaboutjazz.com
Jazz – All About Jazz | Music, Clubs and Culture

Ouroboros well received by SomethingElse Reviews!

October 16, 2012

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Ouroboros well received by SomethingElse Reviews!


Naked Truth – <i>Ouroboros</i> (2012)
somethingelsereviews.com
Just a little more than a year after Italian power bassist Lorenzo Feliciati introduced the Naked Truth fusion-prog supergroup to the world with Shizaru,

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